APPENDIX
4
Analysis
for mood and intonation.
MOOD
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EXAMPLE
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DATA
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ADHERENCE
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JUSTIFICATION
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IMPERATIVE
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·
Turn on the light.
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So,
I want it, you to hear it directly from me.
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/
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The
first clause Oprah wants her audience to hear directly the reason she leave
the show meanwhile the second clause, Oprah want the audiences to know that
she valued their relationship so much. The tone for these clauses is tone 3.
It is level in the low rise pitch. The clause is in tone 3 because, it is
more like a request rather than command.
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I
want you all to know that my relationship with you is one that I hold very
dear.
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/
|
MOOD
|
EXAMPLE
|
DATA
|
ADHERENCE
|
JUSTIFICATION
|
IMPERATIVE
|
·
Open the
door.
|
I’ll see you on Monday
|
Usually, imperatives are in favour of tone 1 which is falling. An
imperative of this kind is made up of commands. In this clause, the command
is quite mild. It is more like a request. Thus the tone for the clause is of
tone 3 which is in level and has a low rise in pitch.
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MOOD
|
EXAMPLE
|
DATA
|
ADHERENCE
|
JUSTIFICATION
|
INTERROGATIVE
|
·
What is your
name?
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·
why walk
away?
|
/
|
The words ‘away’ and ‘last’ are uttered in falling pitch as they
are in the form of question. According to Halliday, WH-interrogatives usually
use tone 1 in which the pitch is falling.
|
·
Is this your
pen?
|
·
and make next
season the last?
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/
|
MOOD
|
EXAMPLE
|
DATA
|
ADHERENCE
|
JUSTIFICATION
|
DECLARATIVE
|
·
Yellow rose symbolize
friendship.
|
So,
on the top of the show I told you
|
/
|
The
word ‘show’ has the combination of rising and falling. Also the last word is
falling intonation.
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that
I have some news to share with you.
|
/
|
The
clause is in falling intonation.
|
||
So
here goes
|
/
|
The
last word in the clause is fall in manner of intonation.
|
||
after
much prayer and months of careful thought I decided
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/
|
The
last word of the clause, ‘decided’ have the combination of rising and falling
intonation.
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||
the
next season, season twenty-five will be the last season of the Oprah Winfrey
show.
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/
|
The
middle of the clause, ‘season twenty-five’ is uttered in high pitch and
rising intonation. ‘Last’ in the middle of the clause also show it is uttered
in high pitch. And as for the last word in the clause is in falling
intonation.
|
||
And
over the next couple of days, you may hear a lot of speculation in the press
about
|
/
|
‘Days’
in the middle of the clause is in falling intonation and ‘speculation’ having
both rising and falling in the word. ‘Press’ in the end of the clause is
uttered in high pitch.
|
||
why
I’m making this decision now
|
/
|
This
clause is in high pitch and the last word is falling.
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||
and
that would mostly be a conjecture.
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/
|
The
start of the clause ‘that would mostly’ is in high pitch meanwhile the last
word ‘conjecture’ is falling.
|
||
Twenty-four
years ago on September 8, 1986, I went live from Chicago to launch the first
national Oprah Winfrey show.
|
/
|
The
pitch of the clause from the beginning until the part before the end of the
clause is high and the last word of the clause is fall and low pitch
|
||
I
was beyond excited
|
/
|
The
clause is in falling intonation
|
||
and
as you all might expected a little nervous.
|
/
|
‘Nervous’
in the end of the clause is in falling intonation.
|
||
I
knew then what a miraculous opportunity I had been given
|
/
|
‘Miraculous’
is high pitch and the last word possesses the fall of intonation.
|
||
but
I certainly never could have imagine.
|
/
|
‘Imagine’
in the end of the clause is in falling intonation.
|
||
The
yellow brick road of blessings
|
/
|
The
clause is in high pitch with the last word of the clause is falling
intonation.
|
||
that
have lead me to this moment with you.
|
/
|
The
beginning of the clause is in high pitch followed by falling intonation on
the rest of the clause.
|
||
These
years with you, our viewers have reached my life beyond all measure
|
/
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Rising
intonation on the starting of the clause and falling intonation on the ending
of the clause.
|
||
and
you all have graciously invited me into your living room,
|
/
|
The
clause is in low pitch because at that time she feel sad so that the pitch is
low as well as the intonation is fall towards the end.
|
||
into
your kitchen,
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/
|
The
word ‘kitchen’ is uttered in falling intonation
|
||
and
into your life.
|
/
|
The
word ‘life’ is uttered in falling intonation.
|
||
And
for some of you long time Oprah viewers you have literally grown up with me.
|
/
|
There
are combinations of rising and falling intonation, for instance, ‘grown’ is
falling and up is rising. Also the last word of the clause is falling
intonation.
|
||
We’ve
grown together.
|
/
|
The
clause has the combination of rising and falling. The rising is the word
‘we’ve grown’ while the falling is the word ‘together’.
|
||
You
had your families
|
/
|
Falling
intonation take place in the last word of the clause.
|
||
and
you raise your children
|
/
|
‘Children’
uttered in the falling intonation manner.
|
||
and
you left the spot for me in your morning
|
/
|
Falling
intonation for the last word of the clause.
|
||
or
your afternoon depending on when the Oprah shows airs in your town.
|
/
|
The
beginning is falling intonation based on the word ‘afternoon’ while the
clause is uttered in high pitch until the end of the clause. As for the end
of the clause is also falling intonation.
|
||
whether
you have been with me from the beginning
|
The
clause is uttered in the falling-rising manner. This is because the clause is
served as to point out something towards someone. This tone is tone 4,
showing some kind of reservation.
|
|||
or
you came on board last week,
|
/
|
The
last word of the clause is in falling intonation.
|
||
I
want you all to know
|
/
|
The
word ‘want’ in the beginning of the clause is rising intonation meanwhile the
word ‘know’ of the ending of the clause is falling.
|
||
that
my relationship with you is one
|
/
|
The
clause is uttered in falling intonation.
|
||
that
I hold very dear.
|
/
|
The
clause is uttered in falling intonation.
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MOOD
|
EXAMPLE
|
DATA
|
ADHERENCE
|
JUSTIFICATION
|
DECLARATIVE
|
·
The ball is
red.
|
And your
trust in me,
|
The tone is
rising-falling. The word ‘trust’ is uttered in a high pitch and the word ‘me’
is uttered in a low pitch.
|
|
the sharing
of your precious time
|
/
|
The pitch of
the last word is falling.
|
||
everyday with
me
|
/
|
The pitch of
the last word is falling.
|
||
has brought
me
|
/
|
There is a
slight rise in the word ‘brought’ but at the end it falls.
|
||
the greatest
joy
|
/
|
A slight rise
of pitch is there in the word ‘greatest’ but it falls in the word ‘joy.’
|
||
I have ever
known
|
/
|
The pitch of
the last word is clearly heard falling.
|
||
So, here we
are,
|
/
|
The pitch is
high in the word ‘here’ and it falls from the word ‘we’ and ‘are.’
|
||
half way
through the season twenty-four
|
/
|
The
intonation of this clause is falling as it comes to the end of the clause.
|
||
and it still
means as much to me
|
/
|
The word
‘much’ is uttered in a high pitch and the pitch falls at the word ‘me.’
|
||
to spend an
hour everyday with you
|
/
|
The pitch is
falling at the end of the clause, specifically at the word ‘you.’
|
||
as it did
back in 1986
|
/
|
The word
‘back’ is uttered in a high pitch. The pitch falls at the end of the clause.
|
||
Here is the
real reason
|
/
|
The word
‘reason’ is uttered in a falling intonation.
|
||
I love the
show
|
/
|
The word
‘show’ is uttered in a falling intonation.
|
||
The show has
been my life
|
/
|
The pitch
goes higher at the word ‘been’ at falls at the rest of the clause.
|
||
and I love it
enough to know
|
/
|
There is a
rising-falling pitch. ‘I love it enough’ is uttered in a high pitch. The
pitch falls at the word ‘to know.’
|
||
when it’s
time to say goodbye
|
/
|
The pitch of
the end of the clause is falling.
|
||
Twenty-five
years feels right in my bones
|
/
|
There are
combinations of rising-falling intonation in this clause. ‘Years’ is uttered
in a rising pitch and the pitch falls at the word ‘feels’. The pitch rises
again in the word ‘right’ and falls in the word ‘bones.’
|
||
and it feels
right in my spirit
|
/
|
The pitch
rises in the word ‘right’ and it falls at the end of the clause.
|
||
It’s the
perfect number. The exact right time
|
/
|
The word
‘perfect’ and ‘exact’ are uttered in a high pitch. The pitch falls at the end
of both clauses.
|
||
So, I hope
|
The word ‘hope’
is uttered in a rising intonation.
|
|||
that you will
take this eighteen-months ride with me
|
/
|
The pitch of
this clause is rising slightly in the word ‘eighteen-months ride’ and it fall
at the rest of the words in the clause.
|
||
ride through
to the final show
|
/
|
There is
rising-falling intonation in this clause. The word ‘ride’ is uttered in a
sudden high pitch and the pitch falls at the word ‘show.’
|
||
Over this
holiday break, my team and I will be brainstorming new ways
|
/
|
There are two
falling pitch occur in this clause. The first one is at the word ‘break’ and
another is at the word ‘ways’
|
||
that we can
entertain you and inform you and uplift you
|
/
|
All the three
occurrence of word ‘you’ is uttered in a falling intonation.
|
||
when we
return here in January
|
/
|
There are two
words that are uttered in a falling intonation which are ‘here’ and
‘January.’
|
||
And then,
season twenty-five we are going to knock your socks off
|
/
|
The word
‘then’ is uttered in a high pitch and the pitch falls at the word
‘twenty-five.’ The pitch rises again at the word ‘we’ and falls at the end of
the clause.
|
||
So, the
countdowns to the end of the Oprah Winfrey show starts now
|
/
|
The word
‘now’ is uttered in a falling intonation.
|
||
and until
that day in 2011 when it ends
|
/
|
The last word
of the clause is uttered in a falling intonation.
|
||
I intend to
soak up every meaningful, joyful moment with you
|
/
|
The word
‘you’ is uttered in a falling intonation.
|
||
Thanks
everybody
|
/
|
The word
‘thanks’ is uttered in a high pitch while the word ‘everybody’ is uttered in
a low pitch, thus making it falling intonation.
|
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